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  Waking the Moon

  Elizabeth Hand

  The reign of men has ended in this gripping thriller from Elizabeth Hand, and the fate of the world is on the line

  Sweeney Cassidy is the a typical college freshman at the University of the Archangels and St. John the Divine in Washington, DC. She drinks. She parties. And she certainly doesn’t suspect that underneath its picturesque Gothic façade, the University is a haven for the Benandanti, a cult devoted to suppressing the powerful and destructive Moon Goddess. But everything is about to change as Sweeney learns that her two new best friends are the Goddess’s Chosen Ones.

  Rich and engrossing, Waking the Moon is a seductive post-feminist thriller that delves into an ancient feud, where the real and magical collide, and one woman is forced to make a decision that will change the world.

  Review

  “A potent socio-erotic ghost story for our looming Millennium.”

  — William Gibson, author of Neuromancer and Virtual Light

  "An extraordinary work—An ambitious, erotically charged thriller."

  — Clive Barker, author of Everville

  “Ms. Hand is a superior stylist.”

  — The New York Times Book Review

  “Superior. An author worth watching, not to mention recommending.”

  — Booklist

  “The tropic lushness of Hand’s descriptions are only one reward awaiting her reader.”

  — The Cleveland Plain Dealer

  Elizabeth Hand

  WAKING THE MOON

  For Oscar John Long,

  friend and voyager

  with all my love

  Anyway those things would not have lasted long. The experience

  of the years shows it to me.

  But Destiny arrived

  in some haste and stopped them.

  The beautiful life was brief.

  But how potent were the perfumes,

  on how splendid a bed we lay,

  to what sensual delight we gave our bodies.

  An echo of the days of pleasure,

  an echo of the days drew near me,

  a little of the fire of the youth of both of us;

  again I took in my hands a letter,

  and I read and reread till the light was gone.

  And melancholy, I came out on the balcony—

  came out to change my thoughts at least by looking at

  a little of the city that I loved,

  a little movement on the street, and in the shops.

  CR Cavafy, “In the Evening,” translated by Rae Dalven

  If all those young men were like hares on the mountain

  Then all those pretty maidens would get guns, go a-hunting.

  If all those young men were like fish in the water

  Then all those pretty maidens would soon follow after.

  If all those young men were like rushes a-growing

  Then all those pretty maidens would get scythes, go a-mowing.

  —Maying Song

  Contents

  Prologue

  PART ONE: DEPARTURE

  1. The Sign

  2. Raising the Naphaïm

  3. Oliver and Angelica

  4. The Lunula

  5. The Sound of Bones and Flutes

  6. The Reception

  7. Night of the Electric Insects

  8. Twilight at the Orphic Lodge

  9. The Harrowing

  PART TWO: ABSENCE

  i. Pavana Lachrymæ

  ii. Threnody: Storm King

  iii. Lost Bells

  iv. Saranbanda de la Muerta Oscura

  PART THREE: RETURN

  10. Ignoreland

  11. Ancient Voices

  12. The Priestess at Huitica

  13. Other Echoes

  14. Devil-Music

  15. Ancient Voices (Echo)

  16. Black Angels

  17. Falling

  18. A Meeting

  19. Fire from the Middle Kingdom

  20. Threnody and Breakdown

  21. Waking the Moon

  Coda

  Author’s Notes

  A Biography of Elizabeth Hand

  Prologue

  THEY NEVER FOUND HER. Nothing at all: no clothes, no jewelry, no bones or teeth or locks of auburn hair. No lunula. Maybe that’s why I never truly mourned Angelica. Oh, I grieved, of course, with that hopeless misery one reserves for lost youth or broken chances or a phantom limb. That was how I wept for Angelica; not the way I’d raged when I lost Oliver. Not even the muted anguish I’d felt during all those lost years in Dr. Dvorkin’s carriage house.

  This was a small grief, really: because how can I believe that Angelica is really gone, any more than a storm or hurricane is gone? The clouds pass over, the skies clear; but there are still the shattered homes and decapitated trees, the dunes given to the sea. And always there will be that clutch in the chest when you see a darkness on the horizon, a greening in the evening sky.

  Like Oliver, she was beautiful; she was so beautiful. And she was kind and smart and funny, the sort of friend you dream of having. The kind of friend I dreamed of having, and somehow she found me, just as Oliver had. If she was a force of nature, she was still human; at least until the end. How can I believe she is gone?

  But she is gone, and I have so little to remember her by. If only I had written more about my friends, or done something with my nearly empty college notebooks. If only I had taken pictures, or saved Oliver’s funny crabbed drawings, and the delicately calligraphic notes Angelica pinned to the door of my room in Rossetti Hall with their faint musky scents of sandalwood and oranges!

  But I kept nothing of Oliver and Angelica, not a single real photograph or letter or drawing. Only a black-and-white Polaroid that Oliver gave me shortly after we met, showing his shoe—a rather worn black wing tip—and part of his bare ankle; that and the sea urchin lamp Angelica sent me our first Christmas.

  That’s all. Though I have more of them within me now than they could ever know. Perhaps, that is almost enough.

  PART ONE

  Departure

  CHAPTER 1

  The Sign

  I MET THEM IN Magic, Witchcraft, and Religion. A fitting place, that magician’s grove within the enchanted forest that was the Divine, where Balthazar Warnick presided at his podium and wore a hand-painted paisley tie and three-piece Fergus Corméillean worsted suit to every session—even though there were only seven of us students, and the dyspeptic rathators hissed as though black winter gnawed at the stained glass windows, instead of the city’s sultry Indian summer.

  I had taken a seat at the very back of the room. It was my first day of classes, my first official day at the Divine. I had arrived the previous Friday, meekly following the Strong Suggestion listed in the Introductory Handbook—a slender volume printed by the University on heavy cream-colored paper meant to invoke the physical and intellectual weight of vellum.

  It is strongly suggested that underclassmen attending the university for the first time arrive during the week of September 1st, 1975, when Orientation and Introductory Sessions will be held for both students and those parents who wish to attend.

  At the top of every page glowered the University’s coat of arms, a Gryphon rampant and Pelican gules, the latter tearing at her own breast to feed her young. Beneath them was a motto—

  Vita, sine literis, mors est.

  Life without learning is death.

  —and the school’s name spelled out in glorious sweeps of gold and blue and crimson.

  The University of the Archangels and Saint John the Divine.

  The Divine, as I learned to call it within a few hours of my arrival. School, my mother called it, as when after the five-hour drive she stood w
ith me in my dormitory room, surrounded by overstuffed boxes, and said, “Well, good luck at School, Katie.”

  The drive had been long and hot and anxious, my mother and father veering between elation and depression at seeing the last of their six children plummet from the nest. My parents had married for love, high school sweethearts from Astoria, Queens. My mother still had the accent—muted to be sure, but jarring, when you took in that delicate face beneath fiery curls. My mother was an Irish beauty of the old school. Not so my father, who stood six-foot-four in his bare and uncommonly ugly feet and—notwithstanding the degrees from Saint Bonaventure and Fordham and the elevated position at IBM—looked more like Victor McLaglen than Jack Kennedy. My two sisters were the beauties, my three brothers rebels who, as adults, made good.

  Me? I was the smart one, the loner, the hapless rebel and youngest by many years. Katherine Sweeney Cassidy, named for my maternal grandmother Katherine Sweeney; with my mother’s grey eyes and my father’s feet, Katie to the family but Sweeney now to the world. Sweeney to the Divine.

  After we carried my things into the dormitory we had a quick and uneasy lunch at the local Holiday Inn, where far jollier family groups yelled boisterously to new arrivals and where our waitress seemed to know every customer by name, except for us. Afterward, my parents departed almost immediately. My mother confessed years later that they had been too heart-stricken to stay, but I didn’t know that at the time. They kissed me, my father still smelling slightly of ketchup, and then climbed into the blue Volvo wagon that would bear them north again. I waved as the car shot with nervous speed back into the stream of traffic on North Capitol Street. Then I ran my damp palms across the front of the maroon floral skirt my mother had laid out on my bed the night before (newly purchased from Lord & Taylor for the occasion, it was the first and only time I ever wore it) and slowly walked back to the dorm.

  This was the first time it struck me that there might be disadvantages to a happy childhood. Everywhere I looked there were people who belonged here. Longhaired sunburned girls in puckered cotton sundresses, stretched out on the grass and smoking black cigarettes. Long-haired boys who pulled clinking green bottles from a cooler and toasted each other in sure, joyous cadences. In the near distance, beneath the shadows of the immense and baroque Shrine itself, the tiny white-clad figures of nuns in their summer habits walked with heads thrown back, diamond light sparkling on their sunglasses. A heavyset man in a yarmulka stood on a set of curved steps that spiraled down from one of the Shrine’s promontories like a stairway in a Dr. Seuss book. As I watched he removed his yarmulka and absently patted his cheeks with it. The heat was intense. The oily scent of car exhaust wafting over from North Capitol Street vied with that of roses, which grew as profusely on the grounds of the Divine as within a public garden. My skirt hung limply about my knees, my long-sleeved cotton blouse felt heavy and moist as wet wool. As I dragged myself up the sidewalk to Rossetti Hall, a boy in a dashiki shirt bumped into me.

  “Oops—sorry—” he mumbled, not even glancing aside as he hurried onto the lawn surrounding Rossetti Hall. Beneath one of its elaborate diamond-paned windows he stopped and bellowed “LINNNN—DDDDAA!” Above me windows flew open. Tanned faces stared down, laughing.

  “Yo, Stephen,” a blond girl called lazily. “Like, shut up.”

  No one took any notice of me at all. I flushed. My clothes burned against my skin. I looked away and ran up the steps and inside Rossetti Hall.

  Somehow I got through that first weekend. My room turned out to be a surprisingly comforting haven, cool and quiet and mine alone. Like all of the buildings at the Divine, Rossetti Hall was a huge and Gothic edifice, vine-hung, sweet with the carnal scent of wisteria blossoms. Beneath its walls wandered a weird profusion of nuns and rabbis and sikhs and friars, and others of even more dubious spiritual provenance: Hare Krishnas, earnest Moonies, witches and druids nouveaux. The effect was superbly and spookily medieval, with color and comic relief thrown in by a small but noisy undergraduate population bearing the last battered standards of 1960s gambado. I was sorely aware of how drab I looked and felt.

  My room was in a long corridor, cool and silent as an ice locker, even in these last weeks before autumn cast its phantom gold upon the city. I walked slowly down the hall, staring at my feet and trying to decipher the peculiar mosaic covering the floor. The tiles formed odd geometries in worn nursery colors, ducky yellow, little-boy blue, a nasty medicinal pink. The walls were a pale green that the years had treated more kindly, the plaster faded to a pleasant crème de menthe, with runnels of cream and chocolate where cracks had appeared. I spent a lot of time in that hall those first few days, waiting for someone to say hello, to invite me into another room. But the place remained strangely quiet. I was desperately lonely, my homesickness so intense I felt as though I’d been stabbed. Why hadn’t I wanted a roommate? Worse, it seemed that in spite of the Strong Suggestion in the orientation manual, I had arrived several days too early. The hall’s only other inhabitants were a trio of girls from Iran, distant relatives of the Shah, who were freshman engineering students. They spent their days brushing and plaiting one another’s long black hair, and their evenings on the floor’s single pay telephone, weeping and railing at the cruelty of their parents in sending them here.

  I wished I could give myself over to such a luxury of grief. But when I called my parents I assured them all was well, school was great, my first class was Tuesday, Thanksgiving was not so far off, no really, everything was fine. Then I handed the phone back to the Iranians and returned to my room.

  “Shit,” I said, and slouched into a chair.

  It was a long and narrow room, with old wooden furniture that smelled of lemons and chalk. I shrugged out of my skirt and blouse, stood shivering while I tried to remember which bag held my clothes. Then I pulled on ripped jeans and black T-shirt, punted the skirt beneath the bed, and turned to survey my kingdom.

  At the end of the room a huge arched window glowed whitish blue in the afternoon light. I stepped over a tangle of stereo wires and peered outside. The mullioned panes were of heavy whorled glass. The casements opened by means of an ornate cast-iron crank that shrieked when I tried to turn it, until I found and released the latch holding it closed. The window began to open, very slowly. Air heavy and thick and sweet as cane syrup flowed into the room. I leaned forward, my hands resting on the broad granite sill.

  My room faced east and looked out over the Strand, the long sward of grass and trees that ran down the center of the campus. All the campus was spread before me like a huge board game tricked out in gold and green and marble. Archaic grey buildings and great spreading elms formed a gauzy tapestry in the late-summer light. The horizon was bounded by a heavily wooded hill, where the pale dome of another building poked through the greenery like the top of an observatory or the ruin of some ancient temple. Rows of tourist buses were parked beneath the trees. Directly beneath my window the students I had seen earlier still lolled in the grass and passed each other joints, while dogs rolled laughing and barking between them. Above everything loomed the Shrine, that brooding sphinx, wavering in the heat. The whole scene had the unreal aura of a tinted postcard of the World’s Fair. It never struck me that I could just have walked outside and been a part of it all.

  But I could get a better look. I made certain the window was open as far as it would go. Then I swung out onto the ledge. For a perilous moment I crouched there like a gargoyle, until I caught my balance and scrunched up against one end of the window. My back butted up against something carved into uncomfortable points and angles. I wriggled until I felt more comfortable, then leaned forward to stare through the window and back into my room.

  On the far wall hung a mirror. It showed me my reflection, a skinny figure like a goblin trapped in glass. Long legs in torn denim, bare ankles and feet betraying how unfashionably pale I was. Long arms with thin bony wrists, big hands, big feet, ragged fingernails. Limp shoulder-length black hair, straight and fine a
s a child’s. A wide milk white pixie face, distinguished mostly by large pale grey eyes and star-tilted nose, a few freckles, an engaging little gap between my two front teeth. Shanty Irish, my high school English teacher had once described me. I liked the description. At eighteen I fancied myself a spiritual daughter of Brendan Behan and Flann O’Brien, an able drinker and quoter of melancholy verse. My nose even had a nearly undetectable list to one side, where my brother Kevin had broken it during a childhood rout over Matchbox cars.

  “Hey!”

  I turned and looked down. Two boys throwing a Frisbee waved up at me. Clutching the edge of the window frame, I waved back.

  “Come on down!” one shouted. I shook my head, yelled, “Later!”

  Near them a girl reading a magazine flopped onto her side, shading her eyes until she sighted me, then waved languidly and looked away. The boys laughed, skimmed the Frisbee between them, and loped off across the grass.

  So they were friendly; so there was hope. I sat there for the rest of the afternoon, my face tipped to the sun, daydreaming about my classes, trying to figure out how many days were left before Columbus Day weekend.

  But finally the heat got to me. My shoulders hurt, too, from whatever the hell I was leaning against. I stretched, carefully so as not to fall, and crept back to the window. At the opening I hesitated, and craned my neck to see what made that damn wall so uncomfortable.

  There was an angel there. No—two angels. One to each side of my window. They were so lifelike that I started, the glass shuddering behind me. For a sickening moment I thought I’d fall; then I grabbed onto the window frame and caught my balance. After a moment I calmed down.